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[Work]
Karton Hocker 47B 2024
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[Work]
Papier Tisch 7B 2023
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[Work]
Karton Hocker 27B 2023
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[Exhibition]
Industrialism
New York, Sized Gallery,
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[Work]
Schaumstoff Hocker 1B 2024
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[Work]
Papier Hocker Gefaltet 1B 2023
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[RTW]
Atelier Pants 1B 2023
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[Work]
Karton Bank 11B 2023
-
[Exhibition]
Slam Jam presents Illya Goldman Gubin
Milan, Slam Jam Take over Salone 2023,
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[Work]
Karton Doppelhocker 4-5B 2023
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[Work]
Karton Bank 6B 2022
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[Work]
Schaumstoff Bank 1B 2024
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[RTW]
Atelier Hat 2B 2022
-
[Work]
Papier Hocker 5B 2024
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[Interview]
NR Magazine
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[RTW]
Struktur Distortion Boot 2020
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[RTW]
Erde Vase 1B
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[Work]
Karton Hocker 14-18B 2021
-
[Work]
Karton Stuhl 1B 2021
-
[Exhibition]
Terassenhaus
Berlin, celebrating 2 decades of shared legacy by adidas and solebox in collaboration w/ Illya Goldman Gubin,
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[Work]
Karton Hocker 40-41B 2023
-
[Work]
Papier Hocker 3B 2023
-
[Work]
Papier Tisch 1B 2021
-
[Work]
Profil 12-15B 2021
-
[Exhibition]
Side Gallery
Empordà – Costa Brava, Spain,
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[Work]
Profil Erde 1B 2020
-
[Work]
Karton Bank 1B 2021
-
[Work]
Rohr Stuhl 1LA 2022
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[Article]
IGNANT, RIMOWA x Illya Goldman Gubin
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[Work]
Rohr Bank 1LA 2022
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[Work]
Wald 2018
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[Work]
Karton Hocker 1-5B 2021
-
[RTW]
Hülle Bag 1B 2021
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[RTW]
Erde Hoodie 2B 2021
-
[Interview]
Monocle
-
[Work]
Struktur Lampe 3B
-
[Work]
Erde Stamm 1-5B 2020
-
[Work]
Rohr Halbstuhl 1-2LA 2022
-
[Exhibition]
Vessels
Sized Gallery,
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[Work]
Karton Vase 1B 2022
-
[Work]
Schaumstoff Eckhocker 1B 2024
-
[RTW]
Struktur Distortion Sneaker 2021
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[RTW]
Erde Bowl 1B
-
[Work]
Profil Nadel 11B 2020
-
[Work]
Rohr Hocker 1LA 2022
-
[Work]
Glasfaser Stuhl Rimowa 1B
-
[Exhibition]
RIMOWA - AsSeenBy
Kant Garagen, Berlin, Germany,
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[Work]
Karton Hocker Rimowa 1-3B
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[Work]
Terra 3B Schwarz
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[Work]
Struktur Stab 1B
[Work]
Wald 2018
Medium
Steel, Car Paint
Exhibition Text
Wiedergeburt [Rebirth] exhibition at Night of the Museums Frankfurt, Germany, 2018. This space was once forgotten. The greasy door, the rusty tools, the discarded car parts: an old repair shop, left for dead. An energy remained, however, in the cracks in the ground, in the instruments’ signs of use, between the unremembered shelves and within the mute machinery. They were specters haunting the empty halls, silently remembering a past that had a use for them. Is a tool still a tool if it is no longer utilized? What about an engine cover? Can something exist without being perceived? Reshaping the forms that were left behind, [former collective name:] 97cm attempted to resurrect the dead. We reintegrated the decaying everyday artifacts into the cycle of nature: the symmetric becomes asymmetric, the familiar becomes unfamiliar, and dead matter comes to life. Abandoned in the past, reborn in the present, present in the future - this is now a space for rebirth.